This is a revised version of the paper presented to the Stout Research Centre Wednesday Seminar, 9 August, 1995. Other versions are ‘Piggy in the Middle’ Metro August 1996, p.82-7, and ‘Muldoon, Robert’ in R. Robinson & N. Wattie (eds) The Oxford Companion to New Zealand Literature, Auckland, p.384-5.
Keywords: Literature and Culture; Political Economy & History;
Bill Pearson’s 1952 Landfall essay “Fretful Sleepers: A Sketch of New Zealand Behaviour and its Implications for the Artist” argues:
“No people is easier for governing. Though `Hitler’ and `dictator’ are common as terms of abuse (usually applied to a foreman who puts production before sociability) there is a lurking respect for the dictator because he has all the authority and gets things done. When the Upper House went no one cared. It was only workers of the big unions, and the watersiders themselves, who were concerned at Mr Holland’s emergency regulations, and a few intellectuals. Fascism has long been a danger potential in New Zealand. Of course fascism does not just occur: it is a deliberate strategy used by money-makers threatened with social discontent. But in countries nominally democratic, fascists have first to prepare the ground. In New Zealand the ground is already prepared for these conditions: a docile sleepy electorate, veneration of war-heros, a willingness to persecute those who don’t conform, gullibility in the face of headlines and radio peptalks.” (p.3-4) [1]